Champion
.The hero is a narrative of today’s failed mythology. Shortened arms and legs, broken and cut wings. However, he still has a fit and heroic body
Lover
“Love” sculpture is a symbolic expression of each of us. When we are full of everything. But basically empty of everything.
Farhad’s death
In this work, I paid attention to the complexity of the human body. Indented and raised muscles are chosen to represent a trapped creature. The body of the statue has both sacred and physical characteristics. But it doesn’t quite come close to either. The face is destroyed and the body is still alive.
“Siah Armajani; a bridge between East and West” (intertextuality of Iranian painting in Siah Armajani works)
Mahboubeh Pahlevan Noodeh – TarannonTaghavi “Siah Armajani; a bridge between East and West” (intertextuality of Iranian painting in Siah Armajani works) (2018) Abstract Siah Armajani, the Iranian philosopher-artist of the 1940s and an American immigrant of the 1970s, suddenly experiences the greatest cultural changes of the century by traveling from east to west. Synchrony his
Revolution to the Republic
The Revolution to the Republic series began with a search for urban space. The space that has become the place of human today. The relation of human beings to each other and their relation to space was searched in this collection; But what caught my interest most in this collection were the urban showcases. Showcases
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Gamblers collection
The Gambling Collection is my new experience in dealing with urban man today. A human being who still has many undiscovered secrets. I’m still looking for a relationship with this man; Both with himself and with the period in which he lives.
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